Home / Modern Sculptures / Monkey King in Porcelain

Chibi porcelain-style Monkey King figure in white and blue glaze with gold trim, holding his staff on a white round base

Modern Sculpture by SeekArt Studio

Monkey King in Porcelain

  • Material:Glazed ABS Resin
  • Cast in premium-grade ABS resin, then finished with a porcelain-style blue-and-white glaze and hand-applied gold-tone trim.
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$868

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  • Studio-cast resin with a porcelain-style glaze, hand-finished and gold-trimmed
  • Worldwide shipping, double-boxed and corner-protected
  • Photos of the finished piece sent to you before it ships

How you pay: card or PayPal in US dollars, with a proper invoice from Shenzhen Adam Art Co., Ltd. Nothing is charged before you approve the mock-up or the photograph of the finished canvas. Payment is settled in full against one invoice — there is no checkout on this page because every piece is painted to order — the enquiry you send is the order.

About Monkey King in Porcelain

The Monkey King at figurine scale, dressed as a piece of blue-and-white porcelain. He stands with a gold-tipped staff slung diagonally across his back, one hand loose at his side, and a gold circlet holding back hair that has been sculpted into a crest of curling clouds. The figure is white, with blue painted into every fold.

The costume is where the detail lives: layered shoulder plates with cloud-scroll edges, a knotted scarf at the throat, a belt with a small beast's face at the buckle, and boots painted with wave patterns at the ankle. Blue is used the way a porcelain painter would use it — as shading inside the white, darkest in the creases of the sleeves and the folds of the sash, palest on the raised edges. Gold appears in only four places: the circlet, the staff ferrules, the belt edging and the eyes.

Sun Wukong is the trickster hero of Journey to the West, and the pose catches him between fights — staff carried, not swung. That is what makes it work on a shelf rather than behind glass: a character at rest, holding a room without demanding one. Entryway console, desk, bookshelf, or a collector's cabinet of blue-and-white ceramics; it sits comfortably beside real porcelain because the palette is borrowed honestly.

Placing the sculpture

Hand-painted resin, sealed and finished by hand — it sits on any sturdy shelf, console or display case with no mounting needed. Keep it out of long, direct sun and away from damp spots; a soft dry cloth is all the upkeep it asks.

What arrives

  • The sculpture — hand-painted resin, one figure on its integral base
  • Our inspect-then-love guarantee: unwrap it, stand it where you plan to keep it, and if it does not belong there, send it back within 14 days
  • Numbered Certificate of Authenticity naming the artist

Listed details: Modern sculpture · hand-painted resin · collectible.

Caring for the sculpture

Dust with a soft dry brush around the staff and the shoulder plates, where dust settles into the recesses. Keep away from direct sunlight and damp, and do not use alcohol or glass cleaner on the satin finish. Lift it by the base or the body, never by the staff.

Before you order

We reply with a fixed price, a delivery date and an honest opinion — usually within a day. For commissions you approve the composition sketch before painting begins; for originals you receive a photo of the finished canvas before it ships.

Questions? Use the buttons above — the form arrives with this piece's details filled in.

How this reaches your wall

1

Enquire

Pick a size and frame above, then send the enquiry — you get a fixed price and a delivery date within a day.

2

Approve

You see a photo of the finished canvas before anything ships, so there are no surprises.

3

Paint & review

Each piece is painted in real oil on canvas and checked in the studio before packing.

4

Packed & shipped

Rolled in a rigid insured tube or crated, with the numbered COA and tracking.

Questions

Questions buyers ask about this piece

It is fixed in place as part of the sculpture, angled across the back — there is nothing to assemble and nothing to lose.
The finish is the point. The figure is cast in resin, then hand-painted in white and blue and sealed to a satin sheen that imitates glaze — the look of a Ming figure with none of the fragility of real ceramic.
Yes. The silhouette and the blue-and-white palette carry it on their own; buyers who do know Journey to the West tend to recognise the circlet and the staff immediately. As a hand-painted resin sculpture it reads as a character piece either way.

Yes. The sizes on this page are the standard ladder, but any proportional size can be made — send the wall dimensions and we will confirm the exact canvas and price the same day. There is no surcharge for a non-standard size, only the normal price step.

By card or PayPal in US dollars, against a proper invoice from Shenzhen Adam Art Co., Ltd. Nothing is charged before you approve the mock-up (for a commission) or the photograph of the finished canvas (for a reproduction). Payment is settled in full against one invoice — there is no checkout button because the painting does not exist yet — your enquiry is the order, and the invoice comes before any payment.

A print reproduces the image; it cannot reproduce the surface. Brush ridges, the slight variation of each stroke and the way oil catches raking light are what make a painting read as a painting across a room — and they are exactly what a flat print loses. Every piece here is painted by hand on canvas, signed, varnished, and shipped with a numbered Certificate of Authenticity.

Yes — that is the point of commissioning rather than ordering stock. You receive two progress photographs while it is being painted, then a photograph of the finished canvas with one free round of adjustments. Nothing is dispatched until you are happy with what you have seen.

Painting takes three to five weeks, then three to five business days in transit, tracked and insured. Rush delivery (three weeks, painting included) is available for $90. The price on this page is $868 for the smallest size — larger sizes and extra subjects step up on the published ladder, so there is no quote to wait for.

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